ANDREW ELLIS JOHNSON
aj1j@andrew.cmu.edu
EDUCATION
1994 M.F.A. Carnegie Mellon University, Pittsburgh, PA.
1982 B.F.A. School of the Art Institute of Chicago, Chicago, IL
1978/79 State University of New York, Buffalo, NY
SELECTED ACADEMIC POSITIONS
2004 – present Carnegie Mellon, Associate Professor, School of Art, Pittsburgh, PA
2006 Spring Korean National University of the Arts, Visiting Associate Professor, Seoul
1999 –2004 State University of New York at Buffalo, Assistant Professor of Art
RESIDENCIES
2019 Academy of Arts & Design, Tsinghua University, Beijing, China, May 18—June 2
2013 Sites of Passage through ArtUp: Israel/Palestine/Pittsburgh2013
2011 Camberwell College of the Arts, London UK
Fayoum International Art Center through ArtUp, Fayoum, Egypt
2010 Blue Mountain Center Costs of War Residency, Blue Mountain, NY
1999 Skowhegan School of Painting and Sculpture, Skowhegan, ME
1997 Academy of Fine Arts, Poznan, Poland: a studio residency at Skoki Center
1992-94 Artist in Residence, Pennsylvania State Department of Corrections, Pittsburgh PA
SELECTED SOLO and TWO PERSON EXHIBITIONS
2024
Assessment (or antidotal portraits for historical abuse), Elsie B. Rosefsky Art Gallery, Binghamton University, NY, January 25 - February 22 (upcoming)
2022
Getting There: Andrew Ellis Johnson and Susanne Slavick, Sordoni Art Gallery, Wilkes University, Wilkes-Barre PA, June 21—August 7, 2022; Godwin-Ternbach Museum, Queens College, NY, February 9—May 13, 2022
Arrogate, University of Dayton Index Gallery at the Dayton Arcade, OH, March 24 – May 20
Vested: Interest Due, The Davis Gallery at Houghton House, Hobart and William Smith Colleges, Geneva, NY, March 11—April 15
Asunder: Andrew Ellis Johnson and Susanne Slavick, Empty Circle Space, Brooklyn NY, February 12 – March 12
2021
Founder, Dowd Gallery, SUNY Cortland, NY, March 15 – April 15
Getting There: Andrew Ellis Johnson and Susanne Slavick, Stockton University Art Gallery, Galloway NJ, September 7 - November 14
2019
Getting There: Andrew Ellis Johnson and Susanne Slavick, Schmucker At Gallery, Gettysburg College, Gettysburg, PA, September 4 – December 6
Somewhere Over the Border, John and June Alcott Gallery, University of North Carolina, Chapel Hill, February 10 - March 8
2017-18
Resort, Andrew Ellis Johnson and Susanne Slavick, McDonough Museum of Art, Youngstown OH, September 7 – October 26, 2018; Fed Galleries at Kendall College of Art & Design, Grand Rapids MI, November 7, 2017 – January 31, 2018
2016 Choreography, Montgomery College, Tacoma Park MD, March 28 – May 9
2014-15 Call and Response, Bernstein Gallery, Princeton University, NJ, December 19 –January 30
2014 Suspension/Descension, Outpost for Contemporary Art, Pasadena CA, March 15– April15
2008 Airborne, Bradley University, Peoria, IL, 4/11 – 5/1
Pluck, Pittsburgh Filmmakers Gallery, Pittsburgh, PA, 1/18 – 3/2
2007 The Edge of Light, a solo show within a series of traveling exhibits, Paul Robeson Galleries, Rutgers University, Newark, NJ, 6/ 7 – 7/26; Seton Hall University Law School, South Orange, NJ
2006 The Annunciation II: VICTEORY (sic) and Zeitgeist, Gallery 175, Seoul, Korea,
When Pulse Becomes Pitch, (with David Tinapple) at Open Space for the Tangible Frequencies installation series presented by Interactive Futures 06, Victoria, British Columbia, January 26-29
2005 When Pulse Becomes Pitch (with David Tinapple), A/V, Rochester, NY, 10/13-11/29
Pressed: When Words Become Earth, A Space, Toronto, Canada, 2/ 25 – 3/26
2004 Cleave, Urban Institute for Contemporary Arts, Grand Rapids, MI, 10/22–11/28
2003 One Night Or A Thousand Others, (with Susanne Slavick) University of Georgia, Athens, GA, 11/13-12/19
Little Relief, Riverside Art Center, Chicago, IL, 9/12 – 10/0 (with Susanne Slavick)
Pressed: When Words Were Earth, Chatham College, Pittsburgh, PA, 2/10 – 3/7
2001 Democracy on Ice, Big Orbit, Buffalo, NY, 11/10 – 12/22
Stock Options, Jewett Arts Center, Wellesley College, Wellesley, MA, 10/4-11/4
Just Another Market Mop Up, Miller Gallery, Carnegie Mellon University, Pittsburgh, PA, 4/27 – 6/10; and CEPA Gallery, Buffalo, NY, 6/ 22 – 8/24
2000 Spring, Harlan Gallery, Seton Hill College, Greensburg, PA, 3/10 – 4/6
2000 Just Another Market Mop Up, University of North Carolina, Chapel Hill, NC, 12/28 – 1/27
1999 Degree of Difficulty, West Virginia University, Morgantown, WV, 9/15 – 10/22
1998 Wash Up: Tsunami Tidings, Broken Shore, Chatham College, Pittsburgh, PA
1996 Slugs, University of Nebraska at Omaha Art Gallery, Omaha, NE, 8/30-9/20
1995 Breaking Wind, USX Tower, Pittsburgh, PA
1994 Lavalas, SPACES, Cleveland, OH
a • d d r e s s i n gr o o m, C.A.G.E., Cincinnati, OH
Once Upon A Time But Never Now, Washington & Jefferson College, PA
1993 President's Day Sale, Taylor Allderdice Exhibition Room, Pittsburgh, PA
1992 President's Day Sale, Hewlett Gallery, Pittsburgh, PA
1982 Three Films by Andrew Johnson, The Film Center, Chicago, IL
SELECTED PUBLIC/COLLABORATIVE PROJECTS
2016 PED Toronto, Koffler Gallery, Toronto ON, June 23, August 21, 2016
2014 A Bridge Not Far: China, (with PED Collective), curated by Patrick Macaulay, Harborfront Centre, Toronto, ON, June 21 – September 21
2008-12 The Last Book, organized by Luis Camnitzer, Bibliothekssystem Universität Hamburg, Germany; New York Public Library, Aguilar Branch, NYC 2011; Zentral Bibliothek, Zurich, Switzerland, March 10 - July 31, 2010; National Library of Argentina, Buenos Aires, http://www.bn.gov.ar/, http://blog.sub.uni-hamburg.de/?p=7742
PED St. John’s, Sound Symposium XIV, St. John’s, Newfoundland, July 3-13
2007 PED Rio, FILE-Rio 2007, Oi Futuro Cultural Center, Rio de Janeiro, Brazil, 3/19-April 24
2006 PED Chongqing, Tank Loft Contemporary Art Center, Chongqing, China, 6/1 – 6/4
2003 PED Tonowandas, Carnegie Art Center, Buffalo, NY, Sept. 14 – Oct. 19, also part of Doors Open Niagara, October 18 –19
2002 PED/Belfast, an interactive performance, FiX02 Festival, Catalyst Arts, 5th Belfast Biennial of Performance Art, December 5 – 8, Belfast, Ireland
2001 PED, an interactive installation at University at Buffalo Gallery, NY (with Paul Vanouse and Mille Chen)
2000 Herd About Buffalo, public sculpture sponsored by Burchfield-Penney Art Center and Roswell Park Alliance, Buffalo, NY
1999 The River Mural Project, collaborative public mural at Key Bank, Skowhegan, ME
True Crimes, contributed to Critical Art Ensemble’s collaborative exhibition, Pittsburgh Center for the Arts, PA
1996 Bemis Long Grain. Do Not Rinse Before Cooking., collaboration with Flo Hoy Wong, Bemis Center for Contemporary Art, Omaha, NE
1993 Partecipart, Progetto Cuspide Venezia, Venice, Italy, June 24-26, 1993
SELECTED GROUP EXHIBITIONS/FESTIVALS/SCREENINGS
2023
Picturing the Constitution, Curated by Katherine Gressel, Old Stone House, Brooklyn NY, October 22 - January 2024
In Balance / Imbalance, L.C. Bates Museum, Hinckley, ME, May 6 – mid October
Cannibals of Love, Ejecta Projects, Carlisle PA, April 1 – May 20
2022
Ballots Not Bullets, WhiteBox, curated by Raul Zamudio and Juan Puntes, New York NY, October 31 – November 20
Human Animal II: Full Wolf, Whole Sheep, Laughing Pig, curated by Katarína Balúnov, Galéria umelcov Spiša, Spišská Nová Ves, Slovakia, July 13 – October; Catalogue and virtual tour
Lapdogs of War, Proyectos Raul Zamudio, Empty Circle, New York NY, March 26 – April 24
Stolen Goods, York College Marketview Arts, York PA, January 6 – February 23
2021
Avis de Passage, 34E Festival Les Instants Vidéo at Friche la Belle de Mai, Marseille, France, November 10, 2021 – February 13, 2022
Reimagining the Real, Emery Arts, University of Maine Farmington, September 2 – October 21
International Migration & Environmental Film Festival, Canada, virtual, October 9 – 16
The Weight of Time, Kaiser Gallery, Cleveland OH, August 14 – October 10
Reveal, THIS Gallery, curators Shannon Pawliw & Barbara Bryn Klare, April 23 - May 31 online
Agent Provocateur, The Empty Circle, Brooklyn NY, curator Raul Zamudio, March 20 – May
Very Well Thank you: The Arts as a Means to Well Being, NIU Art Museum. March 24 - May 14
The world that has been given, Jason McCoy, New York NY, February 3—March 1, online
Storied References, Northern Illinois University Art Museum, January 12 - February 26
2020
Quaranzine, Innovative Media, Research and Commercialization Center, University of Maine, Orono, October 9 - November 13
Art Is Not Optional, Al Quds Gallery, Washington DC, January 25—February 28
Ossuary, Milwaukee Institute of Art and Design, WI, January 13 - March 7
Triggered, The Lye Residence, San Francisco CA, October 17 – November 10
Liten, Bountiful Davis Art Center, Bountiful UT, September 27 – November 1
FILE Festival 2019, SESI Gallery of Art, Sao Paulo, Brazil, June 26 – August 11
Virtual Palestine: Videos from an existing reality, curated by Dagmar Painter, P21 Gallery, London, May 8
Craig Wall Jr. Academic Center Video Project, Van Every/Smith Galleries, Davidson College, Davidson
NC, April 1 – June 30
SCREEN, Center for Maine Contemporary Art, Rockland ME, March 23 – June 23
Anti-Nostalgia, The Carrack, Durham NC, October 1– 24
∞, Skowhegan Alliance, New York, NY, October 2018
Artists Who Teach, Westmoreland Museum of American Art, Greensburg PA, August 25- November 25
Marx@200, Space, Pittsburgh PA, April 6 – June 10
Border Zones and Liminal Bodies, New Mexico State University Art Gallery, March 12 and Feminist
Border Arts Film Festival at CMI Theater, NMSU, April 16.2018
The Particular Past, curated by Paul Nicholson, Martin Gallery, Muhlenberg College, Allentown PA, February 14 – April 30, 2018
The Other Border Wall, organized by JM Design, Flatland, Houston Texas, February 12 - March 30, 2018
2017 Antidote for Trans Allegoria, curated by Thalia Vrachopoulos, Mykonos Biennal, Greece, September
Gateway to Freedom, curated by Thalia Vrachopoulos, as part of Back to Athens 5, Cheapart Gallery, Athens, Greece, June 8 -30
UNLOADED, (curated by Susanne Slavick), Trout Gallery, Dickinson College, Carlisle PA, October 2018- February 2019; Harris Art Gallery, University of La Verne, La Verne CA, September - October; Minneapolis College of Art and Design, June 9 – July 16; Marsha Wood Gallery (presented by Dashboard), Atlanta GA, April 27 – May 20; Institute of Contemporary Art at MECA, Portland ME, March 16 – April 14; Bolivar Art Gallery, University of Kentucky, Lexington, January 20 - February 18
Home Sweet Home, curated by Martha Zoupa, TWIXTlab, Athens, Greece, May 6–7, 2017
Personals, Skowhegan New York Space, New York, NY, May 4 – June 8, 2017
2016 Virtual Palestine, Curated by Dagmar Painter, Gallery Al-Quds, Jerusalem Fund, Washington, D.C., November 18 – December 16
Unloaded, (curated by Susanne Slavick), Indianapolis Museum of Contemporary Art, IN, October 7 – December 31; UICA, Grand Rapids, MI, March 31 – May 5 and July 5-31; Handwerker Gallery, Ithaca College, NY, February 3 – March 6
Politics and Power, Curated by Virginia Walsh, Safe Harbors Ann Street Gallery, Newburgh NY, October 8 – November 26
Art VOTES: Visualizing the Democratic Process, Gallery Bergen, Paramus NJ, September 20 – November 11
The Map Is Not the Territory, curated by Jennifer Heath and Dagmar Painter, Santa Fe University of Art and Design, September 16 - October 16, 2016; Tamastslikt Cultural Institute, Pendleton, OR, June 10 – August 20, 2016; Arab American National Museum, Dearborn MI, January 22 - May 15, 2016; Multicultural Arts Center, East Cambridge, MA, September 5 – November 3, 2015; P21 Gallery, London UK, June 11 – July 25, 2015; Levantine Cultural Center, Los Angeles, May 15 - June 22; al Quds Gallery at The Jerusalem Fund, Washington, D.C., September 6 – October 18, 2013
2015 Unloaded, (curated by Susanne Slavick); Northern Illinois University Art Museum, Dekalb IL, August 24 – October 25; SPACE, Pittsburgh PA February 13 – April 26
Off the Wall, Arts + Literature Laboratory, Madison WI, August 6 and 13
Festival Miden, Kalamata, Greece, July 7-8
Forbidden Colors, Jerusalem Fund Al-Quds Gallery, Washington DC, June 3-August 15
The Drawing Board, DC Arts Center, Washington DC, January 15 - February14
2015 Refugee Monument, (with Anonymous Stateless Immigrants), Berliner Herbstsalon, Maxim Gorky Theater, Berlin, Germany, November 13-29
War on Women, a benefit for Planned Parenthood, Clear Story, Pittsburgh PA, November 19
Exercising Authority: Racial Minorities and the American Legal System, Wiseman Gallery, Grants Pass OR, November 3 – December 11
The Double, Select Art Fair, Center 548, NYC, May 13-17
Out of Rubble, Center for Art Design and Visual Culture, University of Maryland Baltimore County, April 2 – May 16
Pursuing Art through Justice, Whistler House Museum of Art, Lowell MA, March 18 – April 25
6th International Video Art Festival, Camagüey, Cuba, March 31- April 4
Animalia Agitatus, Bruce Gallery, Edinboro University, Edinboro PA, February 4-28
Respond, Smack Mellon, Brooklyn NY, January17 - February 22
6th Cairo Video Festival, Medrar for Contemporary Art, Cairo, Egypt, November 8-20, 2014; Dubai Community Theatre & Arts Center (DUCTAC), Dubai UAE, January 15-21, 2015.
2014 And We Have Countries, curated by Dagmar Painter, The Jerusalem Fund Gallery Al Quds, Washington D.C., November 21, 2014 – January 9, 2015
ISEA 2014, 20th International Symposium on Electronic Art (with Susanne Slavick), Dubai, UAE, October 8 – November 8
War on Women, curated by Vicky Clark for Planned Parenthood Benefit, Warhol Museum, Pittsburgh PA, October 2, 2014
Out of Rubble, SPACE Gallery, Schmucker Gallery, Gettysburg College, PA, January 23-March 8, 2014; Jack Olson Gallery, Northern Illinois University, DeKalb IL, September 2 - October 16, 2014
Borders, Walls and Citizenship, curated by Tavia La Follette, Mattress Factory, May 31 – July 20 and Pittsburgh Filmmakers Gallery, June 6 – August 1, Pittsburgh PA, cancelled
The Drawing Show, Artist Image Resource, Pittsburgh PA, February 11–March 7
17 Days (vol.6), Bret Llewellyn Gallery, Alfred State College, NY, August 26 – September 17, 2013; Atrium Gallery, Western Michigan University, Kalamazoo MI, February 18 – March 25, 2014
Ossuary, curated by Laurie Beth Clark, Herron Gallery of IUPUI, Indianapolis IN, January 29 – February 15
2013 Animalia Agitatus, Clarion University Art Gallery, Clarion PA, November 21, 2013 through March 20, 2014
Ossuary, curated by Laurie Beth Clark, University of Tennessee Downtown Gallery, Knoxville TN, October 4- 26
Bad as I Wanna Be, organized by Joshua Bienko, Ortega y Gasset Projects, Queens NY, August 22 – September 22
Out of Rubble, Harris Art Gallery, University of La Verne, La Verne CA, September 2 – November 14; String Room Gallery Wells College, Aurora, NY, March 20-April 6
Meditations on Emancipation…, Bertha B. Lederer Gallery, SUNY Geneseo, NY, February 1 - March 9,
2012 Out of Rubble, Bowling Green State University Galleries, OH, September 7 – October 7; The Marlin and Regina Miller Gallery, Kutztown State University, PA, October 18 - November 18
Political Humor, Fort Lewis College Art Gallery, Durango, CO, October 22 – November 17
Fauna: Figuring + Fathoming, Kipp Gallery, Indiana University of PA, October 4 – November 15
Strange Glue: Collage at 100, Thompson Gallery, The Cambridge School of Weston, CT, September 7 – November 20
VideoRover: Season 4, NURTUREart, Brooklyn NY, June 1-3; Videorover Project Space, June 4- December 30
The Double, Cabinet, Brooklyn NY and LAXART, Los Angeles CA, May 9
Overlapping Memories, SPACE Gallery, February 10 - April1, Pittsburgh PA and Quart Jove Gallery, Valencia, Spain, February 24 - March 24
2011 Out of Rubble, SPACE Gallery, Pittsburgh PA, December 2, 2011 – January 29, 2012
Dislocation, Bruce Gallery, Edinboro University, Edinboro PA, November 3-24
Imprint of War: Responses in Print, University Art Gallery, University of Pittsburgh, PA, October 31-Dec. 5
Sites of Passage, Mattress Factory, Pittsburgh PA, September 9–February 12
No Glory, Form + Content, Minneapolis MN, September 8 – October 1
Exchange: Show Me the Money, Greenlease Gallery, Rockhurst University, Kansas City, MO, April 29 – May 15
Local Histories: The Ground We Walk On, 523 East Franklin Street, Chapel Hill, NC, January 28 – April 29
Diasporas and Dreams, Penelec~Megahan~Bowman Galleries, Allegheny College, Meadville, PA, January 25 - March 13
2010 Ray Johnson and a Book about Death, SAL Art Gallery, CW Post Campus of Long Island University, Brookville, NY, November 1-5
Eat Me, Future Tenant, Pittsburgh, PA, September 17 – October 9
SPILL > FORWARD, Medianoche, New York NY, July 30 – September 21
Another Way of Looking: Influences from Islam, The Art Gallery at Cleveland State University, OH, May 21 – June 26
Amnesty International Human Rights Art Festival, Silver Springs, MD, April 23-25
2009 The Pandemic Show, Overtones Gallery, Los Angeles, November 14 – December 19
A Book About Death, Emily Harvey Foundation Gallery, NYC, September 10-22
Gestures 13, Mattress Factory, Pittsburgh PA, July 24 – January 10, 2010, curated by Katherine Talcott
Zoo Logic, Lake George Arts Project, Lake George, NY, July 11 – August 14
To Be or Not To Be: A Painter’s Dilemma, Stedman Gallery, Rutgers University, Camden, NJ, March 27 – April 25 http://www.rutgerscamdenarts.org/exhibitions/
2,191 Days and Counting, The Powerhouse Arena in DUMBO, Brooklyn, NY, March 5-22http://www.powerhousearena.com/
Bailout Biennial, Golden Belt, Durham, NC, January 16 – March 15
http://goldenbeltarts.com/newsEvents_Details.php?event_id=30
http://wunc.org/tsot/archive/sot0116b09.mp3/view
http://www.newsobserver.com/news/story/1415665.html
2008 Darwin’s Bicentennial: Art, Science and the Origin of Species, Ohio State University: Kuhn Gallery, Marion Campus, September 24 - October 30 and Hopkins Hall Gallery, Columbus Campus, November 12 - December 5
http://arts.osu.edu/3news_events/e_hopkins_gallery/hhg_fall_2008/fall_2008_gal_3.php?img0 Screen Festival Oslo, Cinematheque, Oslo, Norway, October 24-26
http://www.screenfestival.no/2008/program/index.html
In the Making, Fe Gallery, Pittsburgh, PA, September 12 – January 10, 2009
http://www.pittsburghcitypaper.ws/gyrobase/Content?oid=oid%3A56245
Political Craft, Society of Arts and Crafts, Boston, MA, May 9 – July 27
Illuminators, Art Koltsovo, Yekaterinburg Airport, Russia, April 11 – June
The Heroes Show, LUMP Gallery, Raleigh, NC, April 4 - 26
2007 Conceptually Bound, University Art Gallery, California State University, Chico, CA 11/13 –12/6; Mohr Gallery,
Mountain View, CA, 4/1–5/26, 2008
Optica: the Gijon International Festival of Video Art, Spain, November 16-18
20th Instants Video, Galerie SoiXante AdaDa (Artistes Des Ateliers Dionysiens Associés), St. Denis, France,
October 25 – November
The Desert Generation, Meneer de Wit, November 22; Artists House, Jerusalem, June 5-19 and Ha'Kibbutz
Art Gallery, Tel Aviv, Israel, June 28 – July 28
H2O, VAD 2007, International Festival of Video and Digital Arts, Centre Culturel de Merce, Girona, Spain,
October 17-21
Stories +/- Ornament, Sol Koffler Gallery, Center for Integrative Technology, Rhode Island School of Design,
Providence, RI, 9/28-10/14
Images of Peace, The Albert Schweitzer Institute, Quinnipiac University, Hamden, CT, 9-23 -10/14
Raw Tactics of the Subversive Body, a traveling video collection: Pittsburgh Filmmakers, 9/ 8; Hallwalls
Contemporary Arts Center, Buffalo, NY, 9/20; and more.
EXiS: Experimental Film & Video Festival, Seoul, South Korea, August 24-30
FILE SAO PAULO 2007, (with David Tinapple), SESI Cultural Center, Brazil, 8/13-9/9
Global Eyes, SIGGRAPH 2007 Gallery, San Diego Convention Center, CA, August 5-9
Propaganda III World Tour, poster exhibit originated by START SOMA Gallery, opening July 4 in San Francisco; traveling to cities in North America, Europe, Asia, Australia and the Middle East; eventually archived at Center for the Study of Political Graphics, Los Angeles, CA http://www.startsoma.com/propagandaIII.html
Glassnost, Miller Gallery, Carnegie Mellon, Pittsburgh, PA, June 8 – July 13
http://millergallery.cfa.cmu.edu/exhibitions/Glassnost/index.php
Best of Pittsburgh, Three Rivers Arts Festival, PPG Wintergarden, June 1-17, curated by Kathryn Talcott http://www.artsfestival.net/artsfestival/art-projects.php
Art Tech Media 2007, Casa America, Madrid, Spain, May 9-11(video screening)
http://www.artechmedia.org/en/
The Heroes Show, Bryce’s Barber Shop and ROOM 30, Olympia, WA, May 5 – June 2
Loop Pool 007, 53rd International Short Film Festival Oberhausen, Germany, May 4-6; Lange Nacht der Kultur 2007, Kaiserslautern, Germany June 16-17; Pocket Film Festival Olhares, Castle Hill, Lisbon, Portugal, June 21-23; Capalbio Cinema, Capalbio, Italy, June 27-July 1. http://www.raumfuerprojektion.de/
Caught Looking, PNC Park Jumbotron, Pittsburgh, April 2 http://www.caughtlooking.info/
SPARK Festival of Electronic Music and Arts, Weisman Art Museum, University of Minnesota, Minneapolis, February 20-24
http://cfisrv.finearts.uvic.ca/interactivefutures/tinapple.html
2006 Terror? Intersection for the Arts, San Francisco, CA, September 11 - November 11
http://www.sfstation.com/terror-at-intersection-for-the-arts-a2226
CologneOFF - Cologne Online Film Festival, April 11
After, Mills Gallery, Boston Center for the Arts, MA, February 3 - March 19 (curated by Laura Donaldson)
100% Centennial, Miller Gallery, Carnegie Mellon, Pittsburgh, January 20 – March 5
http://millergallery.cfa.cmu.edu/~miller/exhibitions/centennial/
Adding Insult to Imagery, Kipp Gallery, Indiana University of PA, January 16 - February 17, traveled to Central Missouri State, Warrensburg, MO, September
http://www.addinginsulttoimagery.net/johnson.htm
2005 Disasters of War: from Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, September 10 – December 11
http://www.wesleyan.edu/cfa/press/DoW.html
http://www.wesleyan.edu/newsletter/campus/2005/1005warexhibit.html
Photography Plus, Bowman and Megahan Galleries, Allegheny College, Meadville, PA, November 8 – December 7
Displacement, WORK Gallery, University of Michigan, Ann Arbor, MI, October 14 – November 13http://detroitarts.blogspot.com/2005/10/work-gallery-ann-arbor.html
Animal Nature, Miller Gallery, Carnegie Mellon, Pittsburgh, PA, August 26-October 2
http://millergallery.cfa.cmu.edu/exhibitions/animalnature/
Glass House Refractions, Buffalo and Erie County Botanical Gardens, NY, May 13-27
Skinless Capital, Open Source, Champaign, IL, April 30 – May 13
http://opensource.boxwith.com/archives/000022.html
Inkjet, Artists Image Resource, Pittsburgh, PA, March 12 – April 9
2004 Self Inflicted, Fe Gallery, Pittsburgh, PA, November 19-December 30
War, Artists Image Resource, Pittsburgh, PA, October 15-16
Introducing Palestine, American Friends Service, Pasadena, CA, 9/16 –November 12
Loom 3: Labeler, Chatham Label Mill, Pittsboro, NC, May 22 – 29
Flock and Fable, Chelsea Museum of Art, NYC, NY, May 6 – July 30
Objects in/and Visual Culture, Palmer Museum of Art, Penn State University,
March 1-20
2003 Fables of Jean de la Fontaine, Center for Advanced Art and Culture, Institute for American Universities, Aix
en Provence, France, April 2002; Temple Gallery, Rome, Italy, November 2002; Jacob Lawrence Gallery,
University of Washington, March 2003; Maryland Institute College of Art, November 14 –December 14
Re:cycle, McMaster Museum of Art, Hamilton, Canada, October 6 – November 16
Violent Violence, Arti et Amicitiae, Amsterdam, Netherlands, 6/27 – 8/10
2002 Falastine: Artists Against the Occupation, Ofuroya: Contemporary Art, Philadelphia, PA May
Artists Crossing Lines, Pittsburgh Glass Center, Pittsburgh, PA, November 1- January 3
Show: The Flag, The Armory, Pasadena, CA, May 12 – June 16
21st Century Exhibition, Skowhegan Alumni exhibition, New York, New York
Big Orbit Gallery: Ten Years of Spin on Western New York Art, Anderson Gallery, University at Buffalo, NY,
3/2 – 4/28, curated by Gerald Mead, Catalogue.
2001 Welcome to the Playground of the Fearless, Entropy/New Deitch Projects, Brooklyn, NY, Dec 14 – Jan 10
Reactions, Exit Art, New York, NY
Inaugural Exhibition, Market Street Gallery, Lockport, NY
Photographs by Artists Made for a Variety of Purposes, AIR, Pittsburgh, PA, 2001, September 8 – October 6
2000 Culture of Class, Maryland Institute, College of Art, Baltimore, MD
(In)Justice: Huntingdon Art Gallery, Huntingdon College, Montgomery, AL
Members' Show, Big Orbit, Buffalo, NY (Best of Show)
1999 Origins of the Species-ist, Appalachian State University, Boone, NC
Camouflage, L.C. Bates Museum, Hinckley, ME, summer
The Way Mayne (Maine) Was, Danforth Gallery, Portland, ME
Silenced Voices: an Affirmation of Human Rights, SPACES, Cleveland, OH, June 5 – July 30, catalogue.
76th Annual Spring Show, Erie Art Museum, Erie, PA, Award.
8 – HourDrawings, Allegheny College, Meadville, PA
1998 New Voices/New Visions, The Alternative Museum, New York, NY
Apocalypse Now and Then: Art at the End of Time, DePaul University Art Gallery, Chicago, Jan 16 – Mar 13
Visiting Faculty Exhibition, West Virginia University, Morgantown, WV
Nine: Indiana University of PA Art Faculty Exhibition, Indiana, PA
1997 Roundup, Rogue Gallery, Victoria, British Columbia, Canada
Chrome/osome, Associated Artist Gallery, Pittsburgh, PA, 3/1 – 4 19, catalogue
1996 Impacted by AIDS, Old Bemis Gallery, Omaha, NE
Diverse and Unified, Brewhouse, Pittsburgh, PA
Hearts and Other Body Parts, Ashwell Gallery, Beverly, MA
1994 Construct, Context & Code, Millworks Gallery, Akron, OH
1994 public property / PRIVATE AFFAIR, Associated Artists of Pittsburgh Gallery, PA
Revivified Figuration, Rosebud Art Forum, Pittsburgh, PA
1994 No Man A Beast, G.S.I.A. Gallery, Pittsburgh, PA
1993 New Directions: A Survey of Contemporary Art, Rosebud Art Forum, Pittsburgh, PA
1992 Wedlock, Pittsburgh Center for the Arts, Pittsburgh, PA
International Telecommunications Live Performance Exchange, The Studio for Creative Inquiry, Pittsburgh
International Telecommunications Exchange, The Children's Museum, Pittsburgh, PA
Reflux, International Telecommunications Exchange in conjunction with the Saõ Paulo Biennale, Brazil,
Hewlett Gallery, Pittsburgh, PA
Draw the Straight Line and Swallow It, Performance, Adamson Wing, CMU, PA
1991 Iron City Flux, Collaborative/Performance Art, Rosebud Art Forum, Pittsburgh, PA
1991 International Student Exhibition, Kyoto Museum of Contemporary Art, Japan
1990 International Student Exhibition, Kyoto Museum of Contemporary Art, Japan
1988 Myth & Fantasy, Limelight, Chicago, IL
1986 Six Chicago Filmmakers, The Funnel, Montreal, Canada
U.S.A. Experimental Films, Kommunalis Kino, Frankfurt, Germany
1985 Group Show, Chicago Filmmakers, Chicago, IL
1984 Ten Filmmakers, The Collective for Living Cinema, New York, NY
Experimental Film Coalition Juried Festival, The Film Center, Chicago, IL
LECTURES and CONFERENCES
2022 Artist Lecture: Getting There, Sordoni Art Gallery, Wilkes University, PA, June 22, 2022
Artist Lecture: Getting There, Godwin-Ternbach Museum, Queens College, NY, online, Feb. 23
2021 Presenter, Re:Actor International Art & Design Workshop for the 2021 Tsinghua International,
Conference on Art & Design, Tsinghua University, Beijing, October 22
The Weight of Time Gallery Talk at Kaiser Gallery, Cleveland, online, September 30
Getting There Artist Lecture, Stockton University Art Gallery, NJ, online, September 29
Dialogue with Clint Smith: How the Word Is Passed, SUNY Cortland, NY, Aril 15, online
Artist Lecture: Founder, SUNY Cortland, NY, March 17, online
2019 Gallery Talk: Getting There, Gettysburg College, PA, September 4
Workshop/Lecture: Once Upon a Time; All at Once: Contemporary American Narrative Painting: Academy
of Arts & Design, Tsinghua University, Beijing, China, Lecture May 30
2018 Gallery Talk: Artists Who Teach, Westmoreland Museum of American Art, Greensburg PA, September 12
Gallery Talk for RESORT, McDonough Museum of Art, Youngstown OH, September 7 2016
Older than Yesterday’s News, Panel Chair, 26th International Sculpture Conference,: Sculpture in Context: Tradition and Innovation, October 15-18, 2016
2015 Art and Conflict, satellite event for 71st Southeastern College Art Conference: Confluence, Carnegie Mellon University, October 24, 2015
Open Engagement, Carnegie Mellon University, introduction and screening of two videos, Pittsburgh PA, April 18
2014 Duquesne University, Center for Qualitative and Interpretive Research, Pittsburgh PA, September 24
Carnegie Mellon University, Drawing Damage, DRAW2014: Why Draw Now? Symposium, March 1, 2014
2013 Wells College, Gallery talk for 12th Annual Activism Symposium, Aurora NY, March 22,
Bowling Green State University Artist’s Talk for OUT OF RUBBLE, Bowling Green OH, September 10
Occupy Your Mind, Facilitator for Panel Discussion: Artists Reflect on “Art as Politics”, Occupy Pittsburgh, Bricolage Theater, Pittsburgh PA, March 9
Artist in Residence, IdeaLab, Texas A&M University, College Station TX, February 6
2011 University of the Arts London, Lecture and Visiting Faculty at Camberwell College of the Arts, UK, November 21-25
SECAC Annual Conference, The Caesarean Urge, "Collage is /as / of" session, Savannah College of Art & Design, Savannah, GA, November 9-12
Edinboro University, Artist Lecture, Edinboro PA, November 2
University of Pittsburgh Art Gallery Talk: Imprint of War, October 31
Allegheny College Art Galleries, Meadville, PA Lecture, January 25,
2010 Carnegie Mellon Center for the Arts in Society, Let me rephrase that” for Managing Perceptions: How to retool the War on Terror, with Adam Hodges, October 18
Blue Mountain Center, lecture for Costs of War session, Blue Mountain, NY, May 10,
Columbia College Chicago: Lecture for Critical Encounters; Fact and Faith, February 11
2009 Rutgers University, Panelist, To Be or Not To Be: A Painter’s Dilemma, Camden, NJ, March 27-28
2008 New York University, Cleavage for the Technology and Collage/Montage Roundtable, 6th Annual Meeting of the Cultural Studies Association, New York City, May 22-24
2006 University of Leeds, The Afterlife of Memory: Memoria/Historia/ Amnesia, CongressCATH 2006, CentreCATH (Centre for Cultural Analysis, History & Theory), Leeds, England, July 5-8
Seoul University, Models of Narration and Narrator Models, Korea, May 17
Korean National University of the Arts, Artist’s Talk, Seoul, Korea
2005 Carnegie Mellon, (Im)Permanence: Cultures In and Out of Time, Center for the Arts in Society, Moderator/Commentator for Opening Time conference panel, Pittsburgh, October 13
The New School, NYC, Democracy on Ice for Words, Images, and the Framing of Social Reality conference, April 18
2003 University of Georgia, Athens, Athens, GA, November 13 (lecture/performance)
University of Georgia, Athens, Cortona, Italy, July 17, artist’s lecture
Studio Art Centers International, Florence, Italy, July 14, artist’s lecture
Moore College of Art, Philadelphia, PA, March 25, Not in Our Stars, but in Ourselves
Chatham College, Pittsburgh, PA, February 27, Pressed
2002 Tri-State Sculptors Educational Association, co-sponsored by International Sculpture Center, Moore College
of Art, Philadelphia, Oct. 11-13, Round/About Narratives
28th Association of Art Historians Annual Conference 2002, University of Liverpool, England, April 5-7,
Draw the Straight Line and Swallow It
2001 Wellesley College, Wellesley, MA, Foul Play: On Social, Economic and Aesthetic Trappings
2000 Alfred University, Alfred, NY, artist’s lecture
Seton Hill College, Greensburg, PA, artist’s lecture
1999 Hallwalls Contemporary Arts Center, Buffalo, NY, artist’s lecture
West Virginia University, Morgantown, WV, Degree of Difficulty
Danforth Gallery, Portland, Maine, artist’s lecture
1997 Chatham College, Pittsburgh, PA, artist’s lecture
Academy of Fine Arts at Skoki Center, Poznan, Poland, artist’s lecture
1996 University of Nebraska in Lincoln, Lincoln, NE, artist’s lecture
1995 Clark University, Worcester, MA, artist’s lecture
1994, 1993 Carnegie Mellon University, Pittsburgh, PA, The Synthesis of the Spiritual and the Sensual at Ajanta,
presented to students in the History of Art and Religions courses.
University of Cincinnati, Cincinnati, OH. Step Right Up or Step Outside, public presentation emphasizing
community involvement in the arts, sponsored by the College of Design, Art, Architecture and Planning,
and Sculpture Department.
BIBLIOGRAPHY (TEXTS AND IMAGES BY ARTIST)
2023 Parity or Bust, The Maine Arts Journal: UMVA Quarterly: In Balance/Imbalance. Summer 2023
2022 Trading Futures: A Theological Critique of Financialized Capitalism by Filipe Maia, Duke University Press
2021 The Maine Art Journal: Freedom and Captivity, Fall 2021, Artists Showcase
2020 Love in the Time of Covid: A Chronicle of the Pandemic, December 4, New Zealand, online
The Plague Review Journal, Issue 4, Rotland Press: Ann Arbor
2018 Hyperallergic, The Chains of Intolerance, Drawing in a Time of Fear & Lies, June 30
Hyperallergic, Armed with Hindsight, Drawing in a Time of Fear & Lies, May 19
Hyperallergic, Where Angels Fear to Tread, Drawing in a Time of Fear & Lies, March 3
2017 Hyperallergic, The Skeletons in History’s Closet, in Drawing in a Time of Fear & Lies, November 4
Hyperallergic, Swamp Accommodations VI in Drawing in a Time of Fear & Lies, August 5.
American Flytrap, No. 1, “Sam I Am” image for “Post-Truth,” Rotland Press: Ann Arbor, 2017
2015 Counterpunch, “Rocking Horses” image for “Greece as a Euro ‘Economic Protectorate’” by Jack Rasmus, July 15.
2014 This Week in Palestine, review of Nowhere by Bashar Alhroub at Gallery One in Ramallah, September 2
2013 Cairo: Images of Transition, edited by Mikala Hyldig Dal, Verlag/Columbia University Press: Cairo, images and essays
2011 A New Tahrir Square, International Competitions in Architecture (ICARCH), 2011
2007 M/C Journal: A Journal of Media and Culture (peer reviewed and edited by Larissa Hjorth and Olivia Khoo), Zeitgeist, a digital collage/essay for the Mobile issue, March
Hayden’s Ferry Review #39, Arizona State University, (cover art and images in Works of Witness section)
2006 Fables of La Fontaine, (illustrations), compiled and edited by Koren G. Christofides, translated by Constantine Christofides and Christopher Carsten, University of Washington Press
Draw the Straight Line and Swallow It in Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism, Tate Liverpool Critical Forum 6, ed. Jonathan Harris, Liverpool University Press and Tate Liverpool (illustrated essay)
River City, (Ill Will issue), University of Memphis, Winter 2003
2002 Where Extremes Meet, The Brecht Yearbook 27, University of Wisconsin Press (cover illustration)
TEXTS AND REPRODUCTIONS (ABOUT ARTIST’S WORK)
2023 Joseph + Barrie Ann George, Get an appetite for love at Ejecta Projects, The Sentinel, April 19
2022 Joseph and Barrie Ann George, Stolen Goods, The Dillsburg Banner, January 13
2021 Pat Johnson, From Somewhere Else, The Sandpaper, November 3
Kaiser Gallery Group Show Looks at Pandemic with a Surrealist Eye, CoolCleveland.com, September
Nanette LoBiondo Galloway, Stockton features new art installation on Galloway campus, Downbeach.com, September 8
Whitman, Arthur, Dowd Gallery’s latest exhibit examines nation’s history with critical lens, Ithaca Times, April 15
Artist revises American history, SUNY Cortland News, April 9
2019 McCloskey, Barbara; “Marx on Earth”, Cultural Politics (Duke University Press), July 1 2019; 15 (2): 244–251.
Marx@200, catalogue, Susanne Slavick and Kathleen M. Newman, May 2019
2018 Tucker, Jennifer (ed.), “Display of Arms: A Roundtable Discussion about the Public Exhibition of Firearms
and Their History,” Technology and Culture, Johns Hopkins University Press, Vol. 59, No. 3, July 2018.
Friday, Matthew, Marx@200, The Brooklyn Rail, June 5, 2018
Madeson, Frances, Taming a Rude Beast: Marx@200, Red Wedge, May 282017
'Up in Arms" Artwork at Wesleyan Takes on American Gun Culture, by Susan Dunne, Hartford Courant, November 7
In 'Up in Arms,' Artists Engage in Dialogue on Gun-related Violence by Mae Davies, The Wesleyan Argus, October 30
No Vacation: 'Resort' is a voyage of 'empathic unsettlement, by Marla Miller, Revue, October 30
2016 New UICA exhibit focuses on guns in America, by Susan Shaw, Wood TV 8, Grand Rapids MI, March 30
Acts of Revolution: Local art shows unravel violence, search for change, by Amber Donofrio, Ithaca Times, February 18
2015 ‘Unloaded’ art exhibition examines politics of firearms, NIU Today, August 19, 2015
‘Unloaded’ at Space, by Kurt Shaw, Pittsburgh Tribune Review, April 1, 2015
'UNLOADED' exhibit aims to point out tragedies of gun violence, by Laura Byko, Pittsburgh Post Gazette, March 11
2014 Art exhibit canceled after dispute over boycott of Israel, by Bill O’Driscoll, City Paper, June 11
2013 Ortega y Gasset Gazette #2, September
Bad as I Wanna Be: An Interview with Joshua Bienko and Piper Brett by Sheilah Wilson, Temporary Art Review, October 3
‘Rubble’ in relief: Wells exhibit examines the destructive wake of war, by David Wilcox, The Citizen, Auburn NY, March 24, 2013
2012 Nurture Art 2011/12, p. 34-37
Politics takes it on the chin, by Todd Holteen, Durango Herald, October 29
Outrage: Art, Controversy and Society, eds: Richard Howells, Andreea Deciu Ritivoi, Judith Schachter, Palgrave Macmillan, 2012, cover concept and artwork
Judgment and Decision Making (The Earthscan Risk in Society Series), by Baruch Fischhoff, Routledge (cover image and statement)
Art weighs U.S. role in 2 wars by Mary Thomas, Pittsburgh Post Gazette, January 25
2011 American and Egyptian artists put a fresh spin on global politics by Nadine Wasserman, Pittsburgh City Paper, December 7
Review: Mid-America’s Visual Arts Publication, April 2011 (reproduction)
Out of Rubble, edited by Susanne Slavick, Edizioni Charta, Milan, 2011, an anthology of works by forty international artists responding to the aftermath of war; includes discussion and reproductions of Formal Graffiti
A Sense of Place, Dave Hart, The Chapel Hills News, March 20 (reproduction of Lying Blan
Art and Politics Now: Cultural Activism in a Time of Crisis, Susan Noyes Platt, Midmarch Arts Press: New York. A critical analysis of contemporary politically engaged art. Includes discussion and image of PRESSED.
Diasporas and Dreams, Gehring, Jacqueline, Kirschner, Shanna and Miller, Darren,
Penelec~Megahan~Bowman Galleries, Allegheny College, Meadville, PA, print and web catalogue, January
2011 (online catalogue is incomplete)
2010 China Voices, edited by Lot Felizco and Madeleine Marie Slavick, Oxfam Hong Kong,
CSU Art Gallery displays Islam's true meaning, by Brittany Kula, The Cleveland Stater, June 9
2009 The Bailout Biennial, by Maria DeGuzman and elin o’Hara slavick, Culture Work: a Periodical Broadside for
Arts and Culture Workers, an electronic publication of the University of Oregon Center for Community Arts
and Cultural Policy, October 2009, Vol. 13 No.4, (two reproductions)
Zoo Logic, in Nippertown, an online magazine based in the greater Capital Region/Hudson Valley, August 13
Buzzes and Chirps by Meisha Rosenberg, Metroland, Volume 32. No. 31
As recession stalls economy, creativity booms by Dave Hart, The Durham News, February 14
“Bailout” Tackles Economy, by Michele Natale, The News Observer, February 8,
Artists Take Shot at Bailout, by Dawn Baumgartner Vaughan, Durham Herald Sun, January 30
…troubles and hopes of the times, by David Fellerath, Independent Weekly and Indyweek.com, January 28
Budgetless Political Art…Blue Greenberg, The Herald Sun, January 25
Bailout Biennial, by Andrew Hibbard, The Duke Chronicle, January 22, reproduction
Bailout Biennial, Independent Weekly, Raleigh, NC, January 7, reproduction of Futures
2008 Tondo, Art Koltsovo, Yekaterinburg Airport, Russia, catalogue
Seduction, by Claire Howard, Peoria Journal Star, April 13
Pluck Video Engages…, Mary Thomas, Pittsburgh Post Gazette, January 30, p.D3
2007 Global Eyes, SIGGRAPH Electronic Art and Animation, catalogue
Glassnost, essay by Paul Krainak, Miller Gallery, Carnegie Mellon, catalogue
FILE-Rio 2007, Electronic Language International Festival, Rio de Janeiro, Brazil, catalogue
Glassnost...., Mary Thomas, Pittsburgh Post Gazette, June 27
CMU Exhibit brings transparency to art, Kurt Shaw, Pittsburgh Tribune Review, June 17
2006 The Breadth of What We Fear, by Nirmala Nataraj, SF Station, October 12
Tangible Frequencies, by Dene Grigar, Leonardo Online, March, 2006
The Disasters of War: From Goya to Golub, by Nina Felshin+Brian Wallis, Wesleyan University, catalogue
Animal Nature, Steve Baker, Lane Hall, Jenny Strayer, Carnegie Mellon University, 2005, catalogue
Animal Nature, by Mary Thomas, Pittsburgh Post-Gazette, September 1
How We See Animals, by Kurt Shaw, Pittsburgh Tribune Review, September 11,
2004 A Sense of Self by Kurt Shaw, Tribune Review, December 18
Artists Crossing Lines by Paul Krainak, Sculpture, January/February, p.78-79
2003 Exhibit looks at foreign policy…, by Julie Powell, Athens Banner Herald, (Georgia) November 12
Re:cycle artfully done, by Kamya Ramaswamy, The Silhouette, (McMaster University), October 16
Get on Your Bikes and Ride, by Melissa Sandor, Buffalo Spree, September
Kritische kunst uit Amerika, Volkskrant, Amsterdam, July 17
Andrew Johnson installation puts viewer into Middle East conflict, by Mary Thomas, Pittsburgh Post-
Gazette, March 4, p.B-5
2002 …Inspiration of Glass, Mary Thomas, Pittsburgh Post-Gazette, December 14
A Delicate Process, Kurt Shaw, Tribune Review, December 15 (reproduction)
Artists Shatter Boundaries, by Kurt Shaw, Pittsburgh Tribune-Review, Dec. 13
Radio Interview, NVR Radio 100.6FM, Belfast, Ireland, December 8
Big Orbit Gallery: Ten Years of Spin on Western New York Art, by Elizabeth Licata
2001 Democracy on Ice, by Bernie Roddy, Artvoice, December 13
Pan American Exposition Secretly Celebrated Global Exploitation, by Janet Hinkel, altpress, December,
On Hot Ice, by Richard Huntington, Buffalo News, November 23
Decent Exposure by Richard Huntington, Buffalo News, Summer, F4
The Fine Art of Tourism by Elizabeth Licata, Buffalo Spree, Jul/Aug,
Heavy Lifting by Bruce Adams, Buffalo News, June 8
Down in the Swamp with PED, by Elizabeth Licata, Blue Dog, May 10-16, p.28
2000 Spring by Paul Krainak, Sculpture Magazine, November, 2000, p. 71-72
just another market mop up, by Phyllis Evans, Artpapers, July/August, 2000, p.33
In a New Millenium, by Julia Morton, Chapel Hill News, 1/2/00, p. B4
1999 Celebrating Danforth, by Douglas Rooks, Maine Times, 9/30/99
Human Rights Make a Wrong, by Charles Yannopoulos, Cleveland Scene, 7/15/99, p.44.
Silenced Voices: An Affirmation of Human Rights, Amy Bracken Sparks, SPACES: 1999, catalogue
Silenced Voices, by Steven Litt, The Plain Dealer, 7/10/99, pp.1E and 6E.
Founding Mainer Inspires Artists, by Selena Ricks, Portland Press Herald, 7/3/99, p. 8B
New Ideas…, by Mary Birdsong, Erie Times News, 5/27/99, p.17S,
Art Reviews, by Mary Thomas, Pittsburgh Post Gazette, 4/24/99.
14 Artists…, by Mary Thomas, Pittsburgh Post Gazette, 2/6/99, p.C-7.
1998 Howling at the Edge of the Renaissance: SPACES and Alternative Art in Cleveland, 1978-1998, William
Busta, SPACES: 1998, catalogue.
Study in Contrasts: Andrew Johnson’s Multilayered Works Both Attract and Repel, by Mary Thomas,
Pittsburgh Post Gazette, 3/27/98, pp. 27,41.
Apocalypse Now and Then by Stephanie Sprague, Reuters News Agency, 3/12/98
It’s the End of the World, Jung Won Kim, Art & Performance, volume 8, issue 99, 3/98, p6-7.
Art Notes by Donald Miller, Pittsburgh Post Gazette, 2/28/98, p.C-9.
Interview with Lincoln, Figlio, Messenger by Richard Steele, WBEZ
Radio Broadcast, Chicago, 2/10/98, 15 min. segment.
1997 Skoki ’97, Poznan Academy of Art, Poland: 1997, catalogue.
Chrome/osome, Associated Artists of Pittsburgh: 1997, catalogue.
1996 Diverse and Unified by Graham Shearing, Tribune Review, 9/6/96, p.D3.
1995 Back to the Drawing Board by Diana Nelson Jones, Pittsburgh Post Gazette,
3/19/95, p. 6, 14.
1994 Conscience-striking art, by Steven Litt, The Plain Dealer, 7/21/94, p.5-F, 12-F.
a•ddressing room, Cincinnati Post, January 6
1992 Andrew Johnson's Unimpeachable Political Message by Kyra Straussman, In Pittsburgh , 10/7/92. p.34, 37.
Presidents Day Sale at theHewlett Gallery, Carnegie Mellon Magazine, Volume 11, No. 4, Winter 1992. p.7.
GRANTS AND FELLOWSHIPS
2013 Berkman Faculty Development Grant, Carnegie Mellon
2007 Center for the Arts in Society Grant, Carnegie Mellon
Puffin Foundation, Ltd. Grant
Greater Pittsburgh Artist Opportunity Grant
2005 Berkman Faculty Development Grant, Carnegie Mellon
Greater Pittsburgh Artist Opportunity Grant
2000 New York Foundation for the Arts Special Opportunity Stipend (returned)
University at Buffalo Individual Development Award and Julian Park Award
VIDEOGRAPHER (for other artists)
2011 Stray Birds Sunset Full Moon, Mattress Factory, Pittsburgh PA July 15
Bebop and Kidbop Performance, Mattress Factory, Pittsburgh PA, July 9
2008 Syrinx Ensemble with Anthony Braxton, National Aviary, Pittsburgh PA, May 31/June 1
2005 River Piano by Michael Pestel, Allegheny River, Pittsburgh PA, April 2
STUDENT CURATED EXHIBITS
2016 From The ‘Dream’ To the Cosmos, organized by Kasem Kydd and Kelli Clark, Frame Gallery, Carnegie Mellon University, Pittsburgh PA, January 29 – February 7
2015 I Tell My Neighbor the Artist – Don’t Draw Your Weapon, organized by Pitt Students for Justice in Palestine, William Pitt Union Gallery, University of Pittsburgh, PA, March 17- April